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Mistakes Quilters Make When Cutting Fabric

There’s nothing more satisfying than the clean swoosh of a rotary cutter gliding through fabric. It’s the sound that officially kicks off a new quilt! However, sometimes this leads to frustration. Strips that are a thread's width off, squares that aren't perfectly straight, or fabric that shifts away from your ruler at the last second. Cutting straight is a skill, and like any skill, it’s mastered by understanding the small details of your tools and technique. Follow the tips below to avoid mistakes quilters make when cutting fabric!

A rotary cutter cutting through a stack of blue and white quilting fabric.

Don’t Trust Your Cutting Mat Measurements

A clear quilting ruler with precise markings sitting on top of a green cutting mat.

The grid of your cutting mat is not always the most accurate measuring tool. Over time, mats can stretch or warp slightly, and their printed lines are often thick, leaving you to guess which side of the line to follow.

For true precision, your rulers should be the only measurements you trust. A high-quality ruler with thin, engraved lines eliminates all guesswork. Even better is a ruler with a non-slip feature on the back. This simple feature is a game-changer, providing stability and grip that allows you to cut with confidence, knowing your ruler won't drift as you slice. Using rulers from the same manufacturer is also best, as different brands can have variations in the line thickness or, even worse, be inaccurate. Check out our range of rulers here.

Why I Prefer a Smaller Blade

A small yellow 18mm rotary cutter placed next to a larger 45mm rotary cutter for size comparison.

Bigger isn't always better. While a 45mm cutter is fantastic for cutting through multiple layers of fabric, it can be the reason your squares are not straight. That is why I more often reach for my Clover 18mm cutter for precision cutting. The smaller circumference of the blade creates less drag against your fabric. This reduces the chance of the material distorting or stretching ahead of the cut, ensuring all your layers stay together. This gives you greater control when cutting, which is exactly what you need so you don’t waste your expensive fabrics! Get The Clover 18mm Cutter Here!

The Motion Of The Cut

A person's hand applying firm, even pressure to a rotary cutter, moving it smoothly along a ruler.

With the right tools in hand, you're halfway there! Now it is time to master the technique. Instead of starting your cut right on the raw edge of the fabric, try starting the blade rolling just before the fabric. This ensures a clean cut, so you don’t find yourself re-cutting the start of your cut. Apply firm, even pressure and guide the cutter in one smooth motion. This consistency is what produces those clean, sharp edges that we quilters strive for.

Want To See It All In Action?

We have put together a video tutorial on our YouTube Channel that shows you everything from prepping your fabric to mastering the perfect cut. Click on the link below to learn more.

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Over The Wicker

Today on the to-do list was to create a printable block cutting chart with graphics for Pauline to take with her to teach at Wacky Jacky’s fabulous retreat in Brisbane. There, a group of quilters will have a week of fine dining, hilarious conversations, relaxing away from the norm and most of all Quilting classes with Pauline. Who could want more!?

Prelude: The Day before

Working late into the afternoon watching Pauline as she attaches the borders for the class project, I learnt something new!

She had the unfinished quilt pinned to the design wall and was umming and ahhing over the borders. My height came in handy, and I held up this fabric and that fabric, pinning and unpinning them to the design board around the quilt until Pauline said with a matter of fact and delight, “that’s it, perfect”.

 

 I sat and watched as she took the Quilt As You Go (QAYG) quilt and sewed on a 1 inch backing strip along the side edges. My thoughts as she took the border and pinned it onto the other edge of this strip were ‘how on earth is she going to do this?’ I could only imagine that it was going to be very squishy as she did this in the next stage. 

I was dubious until the end, as she had both side borders on and took the quilt to the ironing board.

To my amazement she pressed and ironed the newly attached borders completely flat, with the border and the quilt sitting flat and butting up perfectly against each other. It just worked!

There were a few tricks along the way of course; the use of the open toe foot, and needle adjustment to the exact ¼ inch seam, trade secrets she was sure to pass on during the retreat’s classes. I was impressed. Again… 

Back to today:

The next morning, taking Paulines notes and the quilt with coffee in hand, I asked her what the name of the quilt was. 

“You can name this one Simon,” she mused “I am sure you can come up with something.”

I took her scribbled notes, the quilt and a tape measure, and up to the office I ventured, still impressed as I ran the join between my fingers.

I knew exactly how I was going to do up the graphics, no problem. But the naming was something else entirely. I have made only one quilt, and I named it the Kings Quilt after I realised what it meant to me. 

It was mine; a throw for the couch or the bed. The colours and the disappearing nine block, dark and aged, the simple straight lined quilting pattern. It all was me and for my house, and in my house I am king. So that was easy. 

But this was Pauline’s creation.

Batiks were used, with ocean blues being the main colour, as well as yellows, pinks and oranges. I looked at it and it reminded me of something specific, something nostalgic.

It took me back to the 90s when our family would catch the Fantasea ferry each year and sail over to Hamilton Island for holidays over Christmas. We stayed in a family owned condo at the far end of Catseye Beach; the older 3 story apartments; Lagoon Lodge. My nanna was the main decorator of this apartment, and like her home it was bright, open and peaceful. 

I looked at Pauline’s quilt, and it reminded me of the bedspreads from the apartment; bright and vibrant, hibiscus and flower patterns. Often, we would drag one of the single bed’s quilt covers out from the room and over to the wicker furniture. We would curl up under it with the smell and sound of the ocean drifting in with the cool air through the open doors, as the sun set in the late afternoon, our sunburn easing as the cool air touched the aloe vera lotion.

That’s it, perfect! I have the name. 

Over the Wicker. 

                             

Endless threads,

Simon